DESCRIPTION: From the jacket, “Art of Japan brings us a sweeping view of the long-lived Japanese culture in all its brilliance and beauty. Never before have all of the major arts been available in a single volume.” This large tome (622 pages) is in beautiful, like new condition. The book covers Japanese history and religion as it specifically relates to its art forms and architecture, and spans time from prehistoric ages through the Meiji Period. A first edition, 1985 Abrams hardbound with du... Click for details

DESCRIPTION: An appealing Kutani porcelain depiction of two Japanese Lucky Gods, Diakoku and Ebisu, singing and dancing in brightly colored court robes. Often paired together as the two favorite gods of prosperity, Diakoku, holds his mallet and Ebisu beats his drum, both with animated facial expressions. Dating from the 19th C. Meiji Period, the figures are in perfect condition and are signed on the base, “Ryu-un.” DIMENSIONS: 9 ¼” high (23.5 cm) x approximately 8” wide (20.5 cm).

DESCRIPTION: A signed Japanese ojime, crafted from natural marine ivory and featuring depictions of two of the seven Japanese lucky gods, Diakoku and Ebisu. The ojime was traditionally used in Japan as a slide in conjunction with an inro to hold the cord tightly above the inro, keeping it closed. Now threaded on a long cord, it dates from the late Edo to early Meiji periods.

The carvings show Diakokuten with his ... Click for details

DESCRIPTION: In Japanese lore the only female among the “Seven Lucky Gods” is Benten, the Sea Goddess, also known as the goddess of literature and music. In this remarkably detailed ivory carving (which could be classified as a netsuke or okimono), she is crafted playing her flute while riding on a Shi Shi (Buddhist lion) amid the waves. To the left of the shi shi are two little oni demons reading a scroll. The detail in this fine netsuke is incredible, from Benten’s flowing scarf, bird headd... Click for details

DESCRIPTION: This large, gorgeous Japanese tray is crafted from a beautifully undulating piece of burl with curled edges that turn and overlap into the interior. The wood is a rich brown and twists in the most sumptuous patterns; the base is made from one flat slab of Kiri (Paulownia) wood. Striking and unique from any angle, it is a testament to the eye of the craftsman who saw its beauty and fashioned it for use. Excellent condition and dating from the Meiji period (1868 – 1912). DIMENSIONS... Click for details

DESCRIPTION: “The Inro Handbook, Studies of Netsuke, Inro and Lacquer” was written for collectors who have discovered the delights of the miniature Japanese art forms. This authoritative and enlightening book offers a wealth of valuable information and is written by one of the foremost collectors and scholars in the field, Raymond Bushell. Affording entry into a world of fascinating design and superb craftsmanship, the book covers the subject in a thorough manner with beautiful color illustrati... Click for details